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From the archive - a look back at a favourite post

Places and Moments: The canal horse carving at the Lagan towpath

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Attention went first to the flowers and bunting at the entrance to the Lock Keeper's CafĂ© at the Lagan Towpath and then catching my eye there it was a carving of a horse being lead by its handler.  Not in sight but inferred is the canal boat, called a "lighter" that was used to transport goods along the water in former days. It's a nice reminder of days gone by: days of horses, draysmen, locks and lockkeepers. Thanks to all those volunteers who act as guides to the Lock Keeper's Cottage right at the opening and to those who welcome visitors on board the old barge just opposite. In those locations you can hear stories of the people who lived and worked there. And plenty of information too for those who welcome every day as a new learning opportunity. The carved horse is a reminder to pause and pay attention. Harder times, no doubt, and slower.

The Newer World by Sebastian Barry - an appreciation

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I very much appreciate Sebastian Barry's writing, a feeling that has only grown stronger after hearing him speak at an author event some years ago. Whenever one of his titles appears, it goes straight onto my "to be read" pile. For some reason, although I purchased them, I have never got around to reading his American Civil War series. As a result, when NetGalley offered me an ARC of The Newer World, his latest book, I wondered whether I was approaching things back to front. Would my enjoyment of this novel be diminished by not having read the previous ones? I needn't have worried. I enjoyed it immensely as a standalone novel. The opening chapter drew me immediately into what I thought was going to be a particular story. Then, quite matter-of-factly, that apparent beginning was set aside and a different path emerged. Brilliant. I loved that. The publisher’s description of the novel promised a multi-layered character who in the person of Tennyson Bouguereau – “ a ...

A vintage wall box

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Curious, I stopped in front of this object embedded in a wall. A box, of course but for what purpose?   My initial reaction was that it was for letters but there is no opening through which to post them. My attention moved to the central keyhole - without a handle this appears to be the sole means of opening and closing the box. It is visibly old with its aged yellow surround like an aura smudged at its centre with traces of red and blue. Distressed and much weathered, the name of the manufacturer is worn or overpainted and so not quite visible. Although recessed, the box stands out from its surrounding gaining prominence from the black background. It sits on a band of blue, separated from another at the base. Curlicues painted black and orange on a red background reprise the ornate scroll work at the top of the box. I am curious about this. Does the key still exist? Does it work? How many copies of it are there? And I am curiouser still about its purpose. If not letters then wh...

A mist of web and raindrops

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  I nearly walked past this shrub earlier on.  I'm glad I didn't because a little while later this natural occurence had disappeared. A mist of web and raindrops had cloaked the plant. Entrapment by spiders surely to lure in unwary insects. The strategy reminded me a little of the Sirenes singing in the Ulysses epic. So as not to yield to the tempting invitation the hero in that story had himself bound to the ship's mast while the sailors had their ears blocked with wax so they couldn't hear the fateful song. It succeeded in the story but I am not sure how it worked out for the insects or the spiders in the shrub. I cannot really criticise the insects for falling prey. It's part of the natural cycle of things. And anyway, I stopped to investigate so I guess I too fell for the strategy. Glad I stopped and paid attention though. Would have "mist" it otherwise. Have you had a similar experience? Spotted any other of nature's fatal attractions?

A favourite curious opening

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One of my favourite "curious openings" snapped on a trip to Granada, Andalucia, Spain back in 2023.  I remember that I spotted it and returned to take the picture. I wondered then and have wondered since why such a lovely door received so much graffiti attention.  You will see the starred handle easily enough but the keyhole is tiny. It seems out of proportion with the stature of the door. I wonder who passes through the opening and what stories lie behind.  Were the inhabitants present when the "artists" went to work? Did they hear the spray can hiss and splatter?  Or did they return home to find the damage done?  Was it one night's work or spread over time?  A recurrent problem? Was the apparent sturdiness of the door the very thing that drew the antisocial behaviour?   Curious indeed.