Middlefocus

  It may have been the light from a sunny day at the beach because a glint of something caught my eye and made me pay attention. Glass. I stooped to look closer and picked up a bottle. Had it been just discarded or washed up? It looked as if it had been buried, brown caked-on sand around its neck, still stoppered. I could feel the embossment on the body and dusting it down could read the details: REGISTERED. WJ. BRIGGS. BELFAST and signed WJ.Briggs. But what did it contain? Holding it up to the light I peered inside hoping to find a roll of paper - a message in a bottle maybe. No such luck, it was quite empty. No hint of or even a trace of whatever liquid it once contained. One thing was sure, it was a glass bottle, dulled by abrasion but clearly vintage. This would-be beachcomber wanted to learn as much as possible about it. Questions surfaced. Why was the bottle here? How come? What was nearby? Who left it, an adult or a child? Does the Briggs company still exist? Where was it? S...

Here’s something I learned last week. Artificial Intelligence (AI) is being used to produce wine. Really? What about the vintner? I always thought that their practised, artful skill is what wine making was all about it. Technology and machinery in the vineyard by all means but in the alchemy of turning grape to wine surely not. There’s a first time for everything and so it was back to school for a lesson on and taste of AI-curated wine. School in this case was a wine appreciation class where a dozen of us meet each week in a local social club. Our tutor - we’ve come to look upon him as a benefactor - selects several wines he thinks we’ll like and we spend a couple of hours tasting our way through them and comparing notes and picking favourites. In a recent class many of us also sampled for the first time “orange” wine and that might be the subject of a future post. But back to that AI curation. CTZN - Luminous Drift is a wine blend from South Eastern Australia, apparently bottled in Lo...

  "Make sure," advised the museum art curator, "to always buy the catalogue of important art exhibitions you attend." She explained that a great deal of time and effort would have gone into bringing the various items together from different collections or galleries around the world. It would be fairly certain that those pictures would never again be together in the same exhibition. Since that talk about French art given to our Belfast French Cercle around 15 years ago I've heeded her advice as often as interest and my wallet would allow. Pity I wasn't aware of her good counsel for one exhibition I attended when I had just turned 20 and when such advice was beyond my maturity. Still, it was an exhibition that left an indelible mark and an enduring appreciation. Surrealist exhibition It was 1971 in Bordeaux. I had been working there as a moniteur / supervisor in a summer camp just outside the city. Having been given a free day away from the duties of the camp ...